Bryan Sumner
OVERVIEW
The very first fixation you notice about the MM6 is how incredibly light it is, weighing in at a hair over eleven weight. The fake construction might not rise to every day abuse on the road, but it sure makes the keyboard easy to carry to weekend gigs and recording sessions in a pal’s residence studio. Similarly, the keyboard action doesn’t have the firm feel of pricier synths such as Yamaha’s own Motifs, but it’s perfectly serviceable.
The MM6’s uniquely lustrous shape resembles a stealth aircraft. The keyboard is velocity-perceptive, but lacks aftertouch. Pitchbend and intonation wheels are included, as well as dedicated knobs for filter and quantity envelope control. The wheel are easily readable, and all the switches have a nice rubbery surface. Taking the “category” method of sound choice one step further are dedicated buttons for lots of common sound categories. An eight-track onboard sequencer rounds out the package.
SOUNDS AND Restriction
The standard of the seems here contrast with the entry-level appearance of the MM6, which is not unexpected, particular that they’re derived from together the Motif ES and “classic.” Most of the acoustic pianos were a little dark for my tastes, but the Rhodes and Wurly exciting pianos sounded very authentic. There are several spitty, vibey organs, with fixed rotary lecturer effects (i.e. they’re part of the mock-up itself) and the mod wheel adding conventional vibrato. The MM6 produces abundance of other great sounds, such as the famous Yamaha acoustic guitars, plenty of fat synth leads and basses, plus impressive strings and brass. The “synth lead/pad” category offers lots of techno-oriented brings as well as some huge analog pads. The mass of sound coming out of this little jual keyboard yamaha is often surprising! Drum kits run the length from old analog beat boxes (think Roland TR-808 and 909), to house, dirty garage, and more instantly ahead rock and R&B styles. It’s hard to put my finger on, but all the drum looks had merely a bit of grit to them that served up a little extra impact and punch.
Though the MM6 is primarily a preset-based device, you can edit some basic sound parameters. Four front-panel knobs let you tweak what are likely the four “most wanted” settings: filter cutoff and timbre, and volume envelope attack and release. Chorus, reverb, EQ, and a selectable DSP effect may be assigned and saved as well, but the effects themselves are preset. That has a split or layer, you can edit how much of each sound gets sent to each consequence, but that’s about it. This limitation is offset, though, by the sheer variety of onboard effect presets. You’ll store these options in sixty four performance memories, that are also everyplace you store splits and layers, as well as accompaniment rhythm example and harmony settings, which we’ll get into in a moment.
IN USE
Like various other aspects of the MM6, the single arpeggiator is a preset-based affair, with 213 different patterns covering the whole lot from basic up-and-down riffs to complex, polyphonic variations that, true to the Motif line’s difficulty in this area, are better described as phrase sequences than as mere arpeggios. Additionally, many pattern names contain prefixes directing the user to appropriate sounds. This is most evident in the drum “arpeggios” that offer instant beats with drum presets.
In the abode-organ-of-doom realm, the MM6 has 168 built-in rhythms, each with four variations. But that’s not all, folks! Each rhythm includes a stylistically appropriate chord and bass adjunct pattern that can track right hand chords or left hand bass notes. While they don’t offer as many realtime variations as full-on arranger keyboards like keyboard yamaha PSR-3000 (see page 20), the designs are usually pretty hip, covering a whole lot of ground from rock to R&B to hip-hop, and reasonably adeptly at that. Yamaha has kindly thrown in Turkish and Oriental pop styles as well as some cool Indian tabla beats. One could really get into trouble here . . . the good breed, that is.
There’s an eight-track sequencer onboard also, with a ninth roadway dedicated to rhythm patterns. It’s clearly planned as a musical sketchpad, as its functions are very basic: There’s no quantizing, cut-and-paste editing, or loop mode, just straight-up linear soundtrack. I suspect this is precisely why Yamaha tosses in a Mac- and PC-compatible copy of Steinberg Cubase LE on an included CD-ROM must you wish to do more higher songwriting and arranging.
Yamaha charitably includes two USB ports. One accepts standard USB storage devices, permitting encouragement of all internal data as well as direct playback of Standard MIDI files right since the device. I downloaded a pretty wicked SMF of the Village People’s “In The Navy,” and playback was as simple as saving to my USB flash drive, popping it into the MM6, and pressing play. The second USB port is for MIDI communication with your Mac or PC. You do need to download the correct driver from Yamaha’s website, but the download and installation process was quick and hassle-free, and once mounted, MIDI worked perfectly with Apple Logic Pro.
CONCLUSIONS
The MM6 occupies a unique niche. It succeeds in bringing the sound eminence of the pricier Motifs to the more casual or novice person, and is evidently aimed at those don’t want to spend a lot of time dealing with the nooks and crannies of a deeper workstation. Though it’s easy for some “pros” to come about their noses at the accompaniment features, it only takes a couple of seconds to realize that you can quickly design a heck of a lot of music this way. This could prove highly valuable for singer-songwriter styles who like to work fast.
Comparing likely antagonism in this price range, the Korg X50 ($899) and Roland Juno-D ($749) both have about twice over the polyphony and are a little more competently oriented in terms of their synth feature sets, but they’re also more scary to the beginning user. More highly, neither has any multitrack sequencer onboard, as compared with the MM6’s basic but functional sketchpad. For ease of use and heavy sounds at a light price, the Yamaha MM6 accomplishes its aims with aplomb.
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Posted in Music · September 3rd, 2010 · Comments (0)
When using the new Yamaha MOTIF XS8, inspiration is just a key press away. The new Motif XS8 synthesizer workstation features high-superiority sounds to inspire you, intelligent arpeggiators to fuel your creativity, recording features to capture every idea, built-in sampling to create full audio/MIDI arrangements, rhythmic patterns to compose with, studio-style mixing controls and versatile effect processing to master your final productions.
With a feature put like this, the jual keyboard yamaha MOTIF XS8 will soon be your favorite ‘go-to’ Yamaha keyboard – whether you’re composing at home, recording in the studio, or playing live. It’s got absolutely everything you need to make professional quality music. Yamaha Motif XS8 – close your eyes, play the gorgeous sounds and rhythms and feel the inspiration.
The Yamaha MOTIF XS8 work station carries a massive 355 MB of high-quality waveforms and samples on board. A single Voice can have up to eight separate sound elements, enabling composite sounds of remarkable complexity and nuance. Among the standout Voices on the XS8 is a deep, meticulously recorded concert grand piano sound that is practically worth the price of admission by itself. New acoustic piano, electric piano and orchestral samples – not to declare the richly textured and distinctly digital synthesizer waves – give you the sonic tools to fully realize virtually any style of music and any instrumentation.
Prolonged Articulation (XA)
Another new feature of the keyboard yamaha XS string is the Expanded Articulation (XA) tone generation system. Using the eight available Elements, XA allows you to more efficiently recreate practical sound and natural performance strategies – such as legato, staccato and key release sounds – often used on acoustic instruments but unavailable or hard to realize on electronic keyboards. It also lets you assign Elements to on/off panel switches, and change sounds within a Voice in real time – for example, live a classical guitar voice and switch stuck between playing normally and playing high harmonics. XA also offers other unique modes for random and alternate sound changes as you play.
Mega Voices
A wide variety of special Mega Voices provide even more expressive nuance, when used with sequencer tracks or the special Mega Voice Arpeggios. Mega Voices are not meant to be played from the piano because of their complex velocity layers, but have particular expressive sounds that are designed to be triggered by recorded data – for example, letting you create an acoustic guitar track with authentic sounding muted playing, slides and bell-like harmonics. Other Voice-related features include a uniquely natural “half damper” effect for acoustic piano sounds. This gives you nuanced control over the sustained sound when pressing the damper pedal, depending on how far down you press the pedal.
Digital Effects
The Yamaha MOTIF XS8 also has a full complement of effects; both insert (Insertion) and send (System), and comprises a special set of VCM (Virtual Circuitry Modeling) effects that authentically model the elements in analog circuitry, realistically recreating the uniquely warm characteristics of vintage processing gear. Speaking of “vintage,” the instrument also includes a sophisticated Vocoder effect that produces classic robotic synthesizer sounds, molded by your speaking or singing voice through a connected microphone.
Arpeggiator
A most powerful features of this Yamaha synth is the Arpeggiator. It lets you trigger over 6,000 different Arpeggio phrases, and you can have four different Arpeggios, playing four different tool parts, running simultaneously-in perfect sync! The music making possibilities are virtually endless.
Sampling
The Integrated Sampling Sequencer on the Motif XS8 workstation synth seamlessly combines audio and MIDI recording. Simply install the optional DIMM modules (up to 1 GB) and record the audio directly to tracks on the MOTIF XS. Record your vocals or acoustic guitar (with a microphone), electric guitar or bass, or even petite rhythm loops from a sample CD. There’s also a Slice feature that automatically chops up your rhythms and riffs into their individual beats and notes, letting you manipulate the component parts of your taster loops as MIDI data – giving you the power to easily change tempo and musical feel, without disturbing the pitch or sound quality.
Easy To Use
Despite all the advanced technology and features packed into the MOTIF XS8 synthesizer, it is exceptionally intuitive and easy to use. It gives you a large, full-dot color LCD that lets you see multiple parameters at a glance, and has apparent, high-resolution graphics with virtual sliders, knobs and more. The panel of the MOTIF XS8 provides an amazing level of control and flexibility. Eight knobs and eight sliders let you instantly tweak a selection of parameters and effects as you play. The eight knobs are especially versatile, hire you use the knobs to independently control eight different parameters (out of 24 selectable), or use them to control a certain effect setting (reverb, chorus or pan) for up to eight dissimilar parts (in a song, for example). The knobs can also be used to change the cadenced feel and other settings of Arpeggios and Patterns while they play back. Two Assignable Function buttons offer you added control over the sound of the new Expanded Articulation (XA) Voices, letting you change sound s within a Voice in real time.
Yamaha Motif XS8 – the latest Yamaha piano to carrying on the legacy of the Yamaha DX synthesizer.
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Posted in Music · August 31st, 2010 · Comments (0)